It’s decidedly not The Donald’s wall. This one was installed by 100 volunteers and painted by, among others, paid graffiti artists and Salt Lake Tribune editorial cartoonist Pat Bagley. It’s quite a project, quite a story, and more is to come.
Surrounding a newly improved children’s playground at The Road Home on 500 West and 200 South, one inspirational piece of the wall, running down the block, reads: HOPE FOR THE FUTURE GIVES US STRENGTH FOR TODAY.
Another section, painted by Bagley, offers a “Salt Lake City Resource Map.” Held up by a pair of delightfully personable seagulls, it depicts such helpful buildings for people in need as the 4th Street Clinic, the Rescue Mission, St. Vincent de Paul’s, and a detox center. All of these resources are located around the Rio Grande depot and a useful “You Are Here” logo is provided. “[It] is an impression of Salt Lake as viewed from the homeless shelter,” Bagley says. “A little like that New Yorker cover showing the world according to someone in lower Manhattan.”
A partnership between Salt Lake City and The Road Home (with the city funding the majority of the project), the wall was proposed by Ashley Hoopes, who volunteers at The Road Home and started a preschool for the children living there. Hoopes noticed that when she took her charges outside to the playground, none of the shelter families was using the area. “The chain link fence allowed their kids to witness drug deals and crime. It made it easy for dealers to sneak drugs in. I used to have to walk the area before class each morning, to pick up used drug paraphernalia that had been tossed through the fence,” Hoopes says.
Ellis Dean Hovey, a homeless man she had gotten to know over the years, said that a solid wall ought to be built to protect the children. Her good friend, Salt Lake City artist Chris Peterson, director of the Sorensen Unity Center (he did the train on the wall), thought parents and children at The Road Home should create a mural, along with local artists, to cover the blank cement, and the pair proposed the project to the mayor’s office.
Elizabeth Buehler, the city’s homeless services coordinator, says Public Services gave the materials and made improvements to the playground and “we hired graffiti artists to do the artwork.” There is another sign in process around the corner with a floral motif. “Each flower will be done by a member of the community at some point in the near future,” says Buehler, probably in a couple of weeks.
Armed with a grant from Art Access, Hoopes and Peterson held Sunday art classes to help parents, teens and children express themselves through paint on the mural. They want to paint the inside as part of an art therapy wall, says Peterson.
“This has been a huge project because of what it was meant to do, which was to provide a sanctuary for people [at the shelter] and a buffer between them and the street. People there are very appreciative for brightening up their space on the outside and, when you go on the inside, the space feels so much safer,” he observes.
If he could have one hope, he says, it’s that the rest of Salt Lake could see this project the way he has. “You have to let your heart break a little bit,” he says. “Recognize that these are fellow humans. I’ve seen this one little girl down here three times and I have three of my own. There’s some unsavory elements mixed in there but there are some really lovely people, too. It’s not as dangerous as people think.”
Pat Bagley, too, was affected by his interactions with some of the single homeless men, who spend the majority of their day standing in line, guarding their spot to secure a cot in the shelter for the night. He relates:
“Uncovered and exposed to the elements, hundreds of them stretched out for blocks, with little to do but wait. I was astounded at the level of compassion the homeless have for one another. They have seen the children who reside on the other side of the fence, and they want to protect them. They want these children to be spared from ending up in the line that they are chained to.”
A graduate of the University of Utah, Ann Poore is a freelance writer and editor who spent most of her career at The Salt Lake Tribune. She was the 2018 recipient of the Salt Lake City Mayor’s Artist Award in the Literary Arts.
Categories: Visual Arts
I am the Ellis Dean Hovey mentioned in the article. This was late 2015 when I reported the drug dealings happening through the fence in the children’s play area at The Road Home. We got the wall built to help protect the kids but more had to be done — much much more — which took nearly two years longer. When I walked out of The Road Home for the last time in 2016, I said to those in charge, “I am going to close this shelter down!” They laughed & sarcastically replied “Good luck with that! Others have tried!” I then smiled back at them with a wink and calmly said, “Watch me.” They had no idea how seriously some had taken my reports of what was going on inside The Road Home and how Matt Minkevitch, executive director of The Road Home, practically covered for it with his whitewashing of every illegal activity to cover his own tail end. Thank you, Ben McAdams: https://www.sltrib.com/news/politics/2017/08/06/sl-co-mayor-ben-mcadams-posed-as-a-homeless-person-for-3-days-and-2-nights-heres-what-he-saw/