Technical language, used without regard to its actual meaning, has become a mainstay of entertainment. In just one example, the engines of the starship Enterprise were powered by “dilithium crystals.” Those words name two real states of matter that have nothing to do with each other, except as […]
Maia Cruz Palileo paints vivid and colorful scenes of life in remarkable detail, full of specific portraits of what are, however accurate, ultimately imaginary Philippine places and characters. Like her charming figure sculptures, they have not been drawn from life, but rather distilled from research into the history […]
For nearly three decades in his role as a professor of ceramics at Brigham Young University’s department of art, and as an award-winning artist with a long list of regional and national exhibitions on his CV, Brian Christensen has been able to observe the changing critical and commercial […]
This week I took in two very different performances — one viewed online and filmed at the Rose Wagner, the other in-person at a tiny converted storefront. Both showcased emerging local choreographers. RDT’s Emerge: Sounds Familiar took American music from the ’30s and ’40s as its inspiration. A […]
When Claire Tollstrup thinks about influence her first thoughts go to Monet, though Mary Cassatt would be a close second. “Claude Monet showed in his later work how to be free in his paintings. His loose brush strokes give every artist permission to be themselves and to interpret […]
The playbill summarizes Dastak as “a meditation on borders, loss, belonging, home, and liberation. Structured through four elemental journeys — Earth, Water, Fire, and Air — the work traces the knockings (dastak, in Farsi) of global injustices on our hearts, and echoes the subtitle created by writer Sharon […]
Every museum or community art center needs a really big room. At the Utah Museum of Contemporary Art, the biggest gallery extends like an atrium up through the floor above, so when they wanted to showcase Salt Lake’s explosive mural art movement, which has decorated buildings of every […]
Located in the Utah Museum of Contemporary Art’s Codec Gallery, Shattering the Pictures in Our Heads uses multiple screens to deconstruct stereotypes of the “Mythic Indian.” Shattering the Pictures in Our Heads is the most sophisticated exhibit currently running at UMOCA, presented in a gallery that uses “codec” […]
For many of us, our first experiences with art come in the form of crayons, markers, or chalk. We would crudely draw stick figures, flowers and animals, which we then displayed, proudly, to friends and family. But this experience is not the case for artist Sara Lynne Lindsay, […]
“What a tremendously hostile world a rat must endure. Yet not only does he survive, he thrives. And the reason for this is because our little foe has an instinct for survival and preservation second to none. And that, Monsieur, is what a Jew shares with a rat.” […]
Those of a certain age may remember the 1997 exhibition of James Castle at the Salt Lake Art Center, back when Ric Collier was the director: small works on cardboard, depicting interior settings and rural scenes, made using the Idaho artist’s spit mixed with soot from the fireplace. […]
Stephen Trimble’s 25th book is called The Mike File. The sound of the word mike trips certain thoughts: a sound-amplifying device; the beginning of the name Michaelangelo; that Mike is a nickname for a boy’s name common around the world. Memories: what-to-name-your-baby books tell new parents the name […]
Sam Forlenza says that whether working as a clinical psychologist or as an artist, “tapping into feelings is critical. I seek to uncover emotions known or unknown, old, or new.” A native of Newark, NJ, Forlenza has an undergraduate degree in Fine Arts from Rutgers University (where he […]
It’s a common mistake in the digital age: one opens a browser and takes a look at the month’s gallery offerings, trusting that what looks good on a wall will reveal itself in a thumbnail. Take, for example, Chris Hayman’s Beyond Nature, her new show at Julie Nester […]
In a postscript to an email I sent, in my capacity as editor, to the staff of 15 Bytes at the beginning of this year, I mentioned that my email responses — never arriving at a whiplash pace — might, for a while, be slower than normal: during […]
UMFA’S KATIE SEASTRAND NAMED UTAH’ TOP MUSEUM EDUCATOR
Katie Seastrand, manager of school and teacher programs at the Utah Museum of Fine Arts (UMFA) at the University of Utah, has been named Utah Museum Educator of the Year. Seastrand received the award Saturday, March 26, at the Utah Art Education Association (UAEA)’s Spring Conference held online.
“Katie does excellent work to connect K-12 students and teachers to the diverse world of art and creativity,” said Annie Burbidge Ream, co-director of learning and engagement at UMFA. “We truly are so grateful to get to work and learn alongside her, and we look forward to seeing all of the wonderful ways she will continue to enrich people’s lives through engaging art experiences.”
Hired in September 2019 to travel and teach in K-12 classrooms throughout Utah, Seastrand completely re-envisioned school outreach after COVID made in-person Museum tours and classroom visits impossible. Looking for new ways to safely support teachers and students, Seastrand focused first on immediate needs. She worked with classroom teachers and her colleagues in UMFA Learning and Engagement to develop and distribute 1,500 “Art Kits” of supplies to Salt Lake area schools and to Whitehorse High School in San Juan County. She then reimagined and expanded UMFA’s relatively new distance learning efforts into five new programs that have brought UMFA artworks and art-inspired experiences into classrooms virtually.
In two and a half years—most of that time under COVID restrictions—Seastrand has worked with more than 6,000 students and 550 teachers statewide to connect classroom core subjects to UMFA’s global art collection. These programs help students and teachers make connections between objects and their own lived experience, and they give underserved populations some of their only opportunities to experience the visual arts.
“Using art in classrooms not only provides opportunities for students to learn on their own terms but can also help with stress and social-emotional learning,” Seastrand said. “Students need room to be free and creative, to bring what they want to the paper, canvas, clay, or other medium. Art education is an empowering space and outlet for whatever emotions, anxieties, or experiences that may not easily be expressed through words.”
Seastrand grew up in Salt Lake City and graduated from Olympus High School. She has a bachelor’s degree in art history and curatorial studies from Brigham Young University and a master’s degree in museum education from George Washington University. While in graduate school, she interned at the Smithsonian American Art Museum and the Abracadabra Preschool in Alexandria, Virginia, before returning to Salt Lake City and joining the UMFA.
Baldwin Radio Company and the Flynn Artipelago
And if you’re an artist and want a booth at the centennial celebration this August, visit our Opportunities section.
Samantha daSilva (born 1978 Santos, São Paulo, Brazil) is a professional artist and educator living and working in Salt Lake City, Utah, United States.
As a third generation artist, daSilva was inspired at an early age by her copiously artistic family, namely; her grandmother, a portrait artist, her aunt, an accomplished jewelry designer, and her mother, a watercolorist, who influenced da Silva to experiment with a variety of mediums.
“Water is an intrinsic part of my process. Straight from the tube, acrylic paint is tight, rigid. With the addition of water, the paint relaxes, takes a long, deep breath, begins to move and dance across the canvas. I tilt and manipulate the canvas so that shapes begin to form. I respond to these shapes intuitively. For this reason, my work is never preconceived. I prefer to have the work direct me instead. Fearless Abstract Painting is a process of adding and subtracting to create balance and harmony on the canvas.
My work is a celebration. Once, I identified myself as a victim. Broken, deficient, lacking. Today I am empowered, grateful, anew. Through my work, I attempt to illustrate the redemptive power of choice.”
To discover more artists, visit our Utah Artists Directory
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