For those of us who aspire to sell our art, even make a living, our strategies may include 1) creating a web site, 2) finding a gallery to display and sell our work, and 3) driving prospective customers to those online or physical places to view and purchase. All three of these strategies may be aided by having a free or paid listing on some of the many online galleries that have popped up on the Internet. But where do you start? Entering a Google search for “online art galleries” yields 11.5 million results!
Here are some things to consider, gleaned from an admittedly quick look at some of the sites and some feedback from participating artists.
What’s your objective?
If you’re an emerging artist, perhaps you’re just trying to get some exposure and test the Internet waters, without spending a lot of money. Or maybe you have your own web site gallery of your work and just want to have links to/from other sites to increase traffic to your site. In either case, you might look first at some of the free or almost-free opportunities out there. Here are a few:
· Start with our own Artists of Utah listing of artists where, for just $15 for setup, you can have three images of your work and a link to your own web site. Go to www.artistsofutah.org and click on “artists.” Then follow the link to “FAQ” information on how to get listed.
· Check out Robert Gen’s site, www.painterskeys.com. Click on “art directory” and “get a free listing” and follow the directions. This site also offers a “premium” listing for $100/year.
· The Vision Grove is another site that offers a free “Aspen” listing on which you can display five images, or other fee-based listings with additional features and more display space.
· Espectro also offers free space for five images or an upgrade starting at $20 for a year. Interestingly, this site offers a “starving artist sponsorship” opportunity that tries to find a sponsor for your work if you can’t afford the fee.
· Saatchi Online, based in London, claims to be a launching pad for unknown, contemporary artists. Because it’s a well known physical gallery as well, it may offer better exposure to international art buyers than some of the other sites, but that’s just speculation on my part.
Any of these sites may help drive viewers to your own web site, if you have one. But are there any downsides? You may want to look at the art that’s displayed and ask yourself if your work would be in good company. Though the work in an online gallery is much more diverse than that found in a physical gallery, you’d still want to be sure that the quality of your work is a good fit for this site. You should also look at other site features, such as spam control. On some sites, if a viewer wants to send a message to the artist, they must enter a code, which appears as letters or numbers in a patterned background. This helps prevent spammers from accessing your email or web site.
What if you don’t have your own web site?
If you don’t yet have your own web site, well, some of you may be asking, “Why do I need one anyway?” Again, it depends on your goals and objectives, but if you want wide exposure for your art in hopes of selling it, getting it online really helps. It’s an easy, inexpensive way to show people your work; it lends credibility to you as a professional artist; and if your work is already in a physical gallery, the web site can help send buyers there.
If you don’t feel ready to create your own site, you could pay someone to do it for you. Expect to spend $500 to $2,000+, depending on the features and the unique design elements you want. If you choose a good designer, this option offers you the ultimate in flexibility for a unique look and features, including audio, video, a blog, and many other options. A question to ask yourself – How much do you want to pay someone to maintain and update the site for you? Or how much time are you willing to invest in learning to update and maintain it yourself? With a program like Contribute, it’s not that difficult, but it does take some time. The Artists of Utah Message Board has a Website & Production Services section, with a list of local web designers.
Or, you could go to one of the online galleries that offer to create, host, and help you maintain your site. Some of the galleries offer a choice of templates and colors so that your pages don’t look exactly like every other artist in the gallery, though there is usually a certain attractive and professional sameness to the formatting. Take a look at these online galleries, for example:
· Artspan – Artspan offers sites from $13.95 to $19.95 per month. The main difference in the three cost levels appears to be the number of images you can display (from 12 to unlimited), and the ability to arrange images in different category pages (i.e., landscapes, figures, flowers, etc.), and the ability to further personalize the design of your site. One thing that attracted me to Artspan is the fact that it appears high up in the Google search engine when searching for “online art galleries.” Artspan also offers a good traffic counter, which lets you see how many visitors look at your site. It appears that a shopping cart function is not included, but PayPal can be added. Even if you already have your own site, you can join the Artspan community as an “associate,” for $35/year. This will give you visibility on their site and a link that may drive visitors to your own site.
· ArtId – I discovered ArtId from their ad in American Artist Magazine. They offer three levels of membership, starting with free (for six gallery images, a guest book, blog, and information about yourself); a Silver Membership for $9.95/month (100 images); and Gold Membership for $14.95/month (unlimited images, plus your own domain name). Both the Silver and Gold levels allow you to sell art from your site using PayPal as well as sell your art in the ArtId eBay store (paying a 20% commission to ArtId).
· Fine Art Studio Online (FASO) – This gallery offers an introductory month free, then five levels of web sites from beginner levels (five or ten images) to three more advanced levels allowing 100, 200, or 300 images. Prices range from $8 to $40 per month. All levels include PayPal integration as well as many other features.
What do artists say about these galleries?
It’s pretty easy to contact artists from these galleries, though you may not get a response right away. I looked specifically for Utah artists using some of these galleries and was able to get feedback from a few of them.
I contacted Juliette Caron, a Utah County painter, who said that she researched quite a few different sites before choosing Artspan. Affordability, flexibility for customizing her layout, the option of displaying art as thumbnails or a slideshow were the features that sold her.
In the six months she’s had her web site on Artspan, Caron has sold one painting and had lots of interested visitors. She says, “I am very pleased with my experience with Artspan so far. I now have an easy way to show my work to anyone. I tell everyone about it and I have a link to it from Myspace, Facebook, etc., which helps me get even more traffic. Artspan does much of the work for you, as far as creating and purchasing a domain, making it easy to be found on major search engines, etc. I have absolutely no web design experience…so this has been the perfect way to get my art online.”
On the ArtId gallery site I couldn’t find a Utah member, though there may be one, but I did receive a response from Maria Williams-Russell, Editor at ArtId. According to Maria, “…ArtId’s uniqueness is that it offers technology and articles that support the sale and marketing of work through the Internet. In other words, ArtId isn’t just a place where you put up images and a bio, it recognizes the difficulties artists have in selling/marketing their work and tries to provide services to overcome those difficulties.”
Joseph Alleman is one of several Utah artists with a web site created by, and part of, the FASO gallery. In response to my inquiry, Joseph said, “FASO has been the ideal web site solution for myself. It’s thought of many things I would have missed had I worked with a web designer and it gives me greater flexibility as far as editing/updating is concerned. The price is very reasonable and while I’m still exploring all of FASO’s features even after a couple of years, it’s very intuitive from the start. It’s been a tremendous tool for me and I recommend it to all the artists I know.”
Rather than looking for sales from his web site, Joseph sees it as a “hub for my galleries and collectors.”
How do you get started?
The best way to decide what kind of web presence you want is to start browsing. Take a look at the galleries mentioned in this article and get a feel for what each offers for the cost. Visit other galleries that come up on a Google or Yahoo search. Go to the Artists of Utah directories, where you’re likely to know many of the artists, follow the links to their web sites and see which ones you like. Then, find out who designed and who hosts their sites and explore the advantages and costs of working with the same vendors. Then you’ll have a lot of information and can make an informed decision.
Meanwhile, if you already have a web site, experiment with some of the free listings and learn what you can from the experience.
This article is from the February 2008 Edition of 15 Bytes.
Sue Martin holds an M.A. in Theatre and has worked in public relations. As an artist, she works in watercolor, oil, and acrylic to capture Utah landscapes or the beauty of everyday objects in still life.
Categories: Hints 'n' Tips