The exhibition culminates in the new media gallery, where Harris’s Echo Cave title comes full circle. The gallery’s dark enclosed space mimics a real cave, a space where viewers are visually assaulted by multiple clips from Harris’s film career on one giant screen. To Harris, this selection is a natural conclusion, a finale for those patient enough to sit in the room long enough. Perhaps then, the echo cave, with its silent and contemplative aura, is the best possible venue for taking in the enormity of Harris’s strange artistic vision.
Read Scotti Hill’s review of UMOCA’s Trent Harris exhibition in the March 2014 edition of 15 Bytes.