C.C.A. Christensen painted his most important work, the “Mormon Panorama,” in the mid-1870s. Even though as an immigrant he hadn’t witnessed the persecution and violence central to the stories he gave visual form, it was his dramatic images, in which nature herself seemed to recoil in horror, that […]
As with all juried shows, this year’s annual Utah Ties exhibition is an inconsistent mixed bag —some works evoke the grotesque and the abject, while others are quietly beautiful and even majestic. As a collective, the show includes a select number of truly remarkable pieces here and there […]
By 1938, the Surrealists had concluded that not only the individual objects in the gallery, but the exhibition itself should be a work of art, and they asked ‘retired’ artist Marcel Duchamp to design that year’s International Surrealist Exhibition at the Gallerie des Beaux-arts. For perhaps the first […]
A child with a predilection for solitude seeks a quiet corner for an uninterrupted afternoon’s reading or drawing, where the couch she settles on sneezes up an invisible spray of dust. Then, when a beam of sunshine enters a window and catches the motes still hanging in the […]
“Money doesn’t talk; it swears” — Bob Dylan Money does a lot of things, and like swearing, they can be good or bad. Consider twenty-first century art, for example. Money attracts talent, and with unprecedented amounts of money flowing into the art market, there is so much wonderful […]
In the recent issue of City Weekly, Brian Staker reviews Stephanie Leitch’s Untitled Apogee, which opened at UMOCA on Friday. Artworks tend to include the imprint of the personality and social development of the artist, on some level or another. For installation artist Stephanie Leitch’s new work “Untitled […]
“When I look back as a child, I was always making big 3-dimentional projects, although I did not see it as art,” says Stephanie Leitch, a Salt Lake City artist preparing for an upcoming exhibit at Nox Contemporary. While studying for her art degree at the University of […]
