By David and Sara Lindsay (with frequent additions by their children) Since moving to Utah, we have noted several characteristics and peculiarities of the art in the state. We found that the Springville Museum of Art’s 96th Annual Spring Salon highlights some of these peculiarities. On our visit […]
A sometimes helpful way to conceptualize Modern Art is “old wine in new bottles.” James Joyce, the essential modernist, took a 2,500-year-old epic poem, the “Odyssey,” and repackaged it as a novel—a literary form only a couple of centuries old—that he called “Ulysses,” after the poem’s protagonist, even […]
In today’s heterogeneous world of art, there are, generally speaking, two fundamental vehicles for connecting with a work: the emotional and the conceptual. The two create structures of meaning and the basis for fundamental interpretation. As the viewer comes to understand a work, an emotional response is as […]
A native Californian, sculptor Rod Heiss came to Utah fourteen years ago to apply his skills as a craftsman during the state’s building boom. When the housing market collapsed three years ago, Heiss encountered a moment of crisis. He made the most of the opportunity and threw himself […]
Bio “Bend and Not Brake,” says Tao Te Ching. This motto motivates Rod Heiss to paint. In his early years, due to undiagnosed eye problems, he was unable to learn the way most children do. School was difficult and defeating. He was constantly being reminded of his differences […]
