In a painting titled “I Will Hold You Above the Treetops,” a parent standing on the crest of a ridge embraces and lifts a child. A viewer might casually assume this is a father, but on closer approach, the pair could just as well be a mother and […]
On their social media accounts, Meyer Gallery has announced that longtime director Adam Hansen will become the gallery’s new owner. Started as the Hanging Room Gallery in 1965, Meyer Gallery is one of the longest-enduring art galleries in the state. Susan Meyer took over the gallery from her […]
New work by Brian Kershisnik is always eagerly anticipated, and not just in Utah. Increasingly, his collectors fly in from around the country in February, hit the slopes, buy a painting or two, then head back. The art used to wait to follow them until the show was […]
Corinne Geertsen’s many-layered art images, which begin as photographs, are magic tricks. They contain ghosts of the photographed past, people wearing clothing time has almost forgotten — derby hats and waistcoats, huge hats covered with flowers, children in proper attire — people, largely, in awe of being photographed, […]
Paige Anderson’s paintings are a trip into high order. All is arranged, undone, arranged again. In “A Map of Salt and Stars” and “Heavens Clothed in Earthly Vestments” pointed star-shapes repeat very, very methodically, but with squinting shimmer-gleam, like the modulated light emanating from a crop of night […]
“To be an artist, you have to work like a madman,” says Galina Perova, her voice tinged with an intensity that also radiates from her award-winning oil paintings, found in state government buildings, the homes of politicians and influential entrepreneurs, and the University of Utah Medical School. Perova […]
At the top of the winter hill in the old mountain mining town made of buildings of warmed old wood and cold glass are wood sculptures and glass pieces created by David LeCheminant. Looking at his work upstairs in the Meyer Gallery, you feel you’re in a snow […]
“By the Sea,” the characteristically collectible catalog Susan Meyer put together for her annual presentation of Brian Kershisnik’s new directions for 2019, includes a challenge from the artist to everyone who’s ever written, or even thought about, his art: The heavy symbolic weight of books in my […]
From fishing in streams and running with cousins, flying high on a swing or laying under the trees, childhood memories play an important role in the paintings of Colby Sanford. His most recent explorations focus extensively on memory and its metamorphosis in our minds to become something particularly […]
Though warned early in her career against pursuing a path as a portrait painter or becoming a mother, Mary Sauer has chosen to do both, persevering and following her dreams, no matter the resistance she finds along the way. Her dedication has paid off with her second baby […]
Brian Kershisnik is one of Utah’s best-loved and most-respected artists, and his paintings, whether mural size or off the easel, are in private and public collections from Logan to St. George. He was given the Governor’s Mansion Award in 2010, was selected in 2014 as one of the […]
“Morning’s Table,” 28″ x 28″ oil Home-decor magazines, with their adoption of the fruit still life as a staple of “kitchen art,” may have dulled our appreciation for the dynamic, emotional, and thrilling aspects of produce-based subjects, but Springville artist Leslie Duke, with her intricate mark-making and lively […]
When gallery director Susan Meyer tells you Meyer Gallery is celebrating its golden anniversary, it’s hard to believe. Fifty years ago, the ski resort designed to rejuvenate what was a declining mining town was barely a year old, tourists were only beginning to trickle in and […]
Ehren Clark puts together the pieces of Andrew Ballstaedt’s art, from Klee-inspired houses to friendly monsters and family flags.
When an artist writes the title of a painting on its front, it’s a safe bet he wants us to pay attention to its meaning, not just its visual impact. In good art, meaning is metaphorical, so a work can support more than one reading. A recent Brian […]
In the 1990s, a theory gained popular traction — though never professional credence — that in the nineteenth-century quilts were used to help runaway slaves along the Underground Railroad. Hung outside a house or slave shack, the theory went, the quilts were either signals to passing slaves — […]
A look at Logan artist Heather Campbell, whose elaborately modeled sculptures are now on exhibit at Park City’s Meyer Gallery.
