“The artist Guy Dill has carved out a unique niche for himself on the borderline between abstract and figurative sculpture.” That’s the metaphor that first comes to mind, but the thing is, it doesn’t really work, because he doesn’t carve. They’re assembled in that distinctly American geometric style, […]
With so much political art being made and shown these days, it would be easy enough to conclude that social criticism and satire are about the only ways art can help in troubling times. Yet however much contemporary art’s moralizing encourages its fan base, it’s far from being […]
The Camera’s Power: Artists at Alice Gallery, Julie Nester and UMFA Explore the Past, Present and Future of Photography
You don’t take a photograph, you make it. —Ansel Adams In a decade shy of 200 years—since its invention by British artists seeking a faster, easier way to draw from life—photography has joined those two great clichés of human invention, fire and the wheel, as […]
“Gitana,” Philip Buller, 60″ x 60″ Collecting and displaying damaged artifacts, like broken pottery and scuffed postcards, was almost certainly a matter of necessity before it became a preference, but if the choice is between a flawless replacement and an original that shows a mixed patina of age, […]
Less than a century ago, Abstract Expressionism brought the United States squarely into the dramatic center of world art for the first time. Pollock, de Kooning, Kline, Motherwell, Mitchell, and their peers formed the spine of a reinvention that evolved from the earlier revolt of Picasso, Matisse, Miro, […]
[slideShowProSC width=”600″ height=”750″ album=”717″] What does one say about abstract art? It neither depicts a scene nor tells a story. It does not reference, investigate, or negotiate — or any number of the vague, Latinate verbs endemic to curatorial statements these days— anything. It is, in a term […]
Utah Symphony Associate Concertmaster Kathryn Eberle and Principal Symphony Keyboard Jason Hardink have been threading their way through all of German composer Ludwig van Beethoven’s ten violin sonatas since the fall of 2013. This is when Utah’s NOVA Chamber Music Series began its Gallery Series at Salt Lake City’s Art Barn. Now the Series has expanded to another small venue, Julie Nester Gallery in Park City. This most recent concert took place this past Thursday evening April 16, 2015.
Driving back from Park City, where Brenda Mallory’s second exhibition at Julie Nester opened July 5th, the familiar but still disturbing sight of an elk lying dead on the median strip of I-80 brought into sharp focus the universal significance of the artworks just seen. Once broken, nothing […]
What is the nature of a narrative? It has a beginning, it has a development that involves content, often conflict, ideally growth and progression, and it has an end. The best narratives are the ones that have an end that does not end, that through our experience of […]
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In the February 2011 edition of 15 Bytes Geoff Wichert reviews Stephen Foss’ exhibit of enamel paintings at Julie Nester Gallery.
Self Retrato with Bandana by Daniel Ochoa, oil on panel, 36 x 36 Daniel Ochoa is an Anglo-Spanish artist from the San Francisco Bay Area who lives on the border of two cultures, between which he moves adroitly—if not necessarily comfortably—and who extends this experience in paintings that are […]