David Hartt’s Unexpectedly Familiar and Surprisingly Plangent Views

When I remember my favorite movie scenes, it’s often because of something particularly revealing that an actor does. But in the hands of a really good director, there is always another actor in the scene whose work I may not remember — may not even consciously notice — but whose work precedes those I do notice and may be far more telling. Perhaps the camera holds a shot for a several seconds, until I become aware that through its lens I am fixated, staring at something. Then it wheels about and fixes on something else, and I understand what the character sees and how they are thinking. The camera in those minutes reveals itself as the most important actor.