Once, after we had moved to a new city, I found it helpful to drive my daughter to and from school. In time, her inborn need to be independent led her to public transportation, which she still relies on four decades later, but our pleasure in each other’s […]
“Water Crossing,” 2016, triptych, charcoal on vellum mounted on board, 96″ x 165″ It’s not hard to see why, when BYU Museum of Art’s Curator of American Art Kenneth Hartvigsen and his staff set out to take the measure of artistic responses to the international refugee crisis, they […]
In “Dig,” a large and very colorful landscape in a portrait format, a middle-aged man, lean and strong from a lifetime of hard work, leans forward from the waist, his bare torso so shiny with sweat it reflects the sky above him. As he digs, the passion of […]
[slideShowProSC width=”600″ height=”500″ album=”577″] A triangle on top of a rectangle: it’s an easily recognizable symbol, a complex form in the repertoire of millions of preliterate children making sense of their world with paper and crayon; and it’s a shape ubiquitous in a major exhibition now at Brigham […]
Let’s be honest, Utah lacks a world-class art collection (whether that be due to historical circumstances or financial means is a subject for another time); which means that for the non jet-setting citizens of the state it is to traveling exhibitions that one must turn to experience […]
In the 1870s, LDS Church leaders became increasingly worried about the commitment of the second and third generations of Mormons, those born too late to have remembered or witnessed the church’s formative days outside of Utah. In the decade after the completion of the transcontinental railroad, several factors […]
Our country is increasingly becoming a place of hyphenated identities, in which we speak of ourselves in relation to the countries or continents our ancestors came from — African-American, Italian-American, Korean-American. This increased focus on cultural and ethnic identity is double-edged: the hyphen acts as both a bond, […]
Art maintains a remarkable ability to change and augment our perceptions of different cultures and traditions. As a title, “Weaving the Unexpected” anticipates the exhibition’s capacity for redefining what is typically known about this subject. The works contained in this show present remarkable craftsmanship and skill in their own right, made even more impressive when given the added layer of modernity…
When the French painter Paul Cézanne headed back to the south of France, he was retreating from an art world that greeted his paintings with indifference, but he was also returning to his ancestral home, full of a bright, penetrating light so different from the moisture-laden haze of […]
And it should be clear that these four women do not constitute a homogenous perspective. They each come from different backgrounds, are involved in different life experiences. Their work is different, distinct, all its own. Yet, when seen as a collective, certain themes emerge. One is a emphasis […]
The opening of Work To Do, an exhibit at the BYU Museum of Art that features the work of Trent Alvey, Pam Bowman, Jann Haworth & Amy Jorgensen, will also feature dances by choreographers created specifically for the space.
Laura Hurtado visits BYU’s new Think Flat exhibit, featuring works by Andy Warhol and Takashi Murakami.