Each fall and spring semester, I accompany my upper division art history students from Westminster College to the Utah Museum of Fine Arts so they have the experience of viewing global art in person, resulting in a research paper. After a tour of the galleries, I steal away […]
Public art matters. That is the takeaway message from viewing Patricia Johanson’s monumental public artwork in Sugar House, Salt Lake City. It matters, and in the hands of a seasoned and passionate artist, it matters deeply and is successfully translated to the public. Johanson’s environmental work —with the Echo Canyon portion completed this June—not only addresses many audiences and their interests, it’s a work that takes us on a journey from the macrocosm of history and time to the microcosms embedded in her work; from natural beauty to environmental sustainability to cultural heritage.
A new residency program in northeastern Nevada, just miles from the Sun Tunnels, offers artists an opportunity for work and reflection in a remote desert setting.
James Benning comes to the University of Utah campus today to screen two films: two cabins, a film that explores utopian and dystopian versions of social isolation through the replicas Benning built of Henry David Thoreau’s and Ted Kaczynski’s iconic cabins, and casting a glance, a film that explores the nature of time and Robert Smithson’s Spiral Jetty.
Earlier this week BYU professor of art Mark Magleby took over at the Brigham Young University Museum of Art. Last month Hikmet Loe sat down with Magleby to discuss the current state of the museum and his plans for the future. Read the article in the January 2012 […]