Tag: by Geoff Wichert

Exhibition Reviews | Visual Arts

50 Years, 50 Works, 50 Reasons: Maurice Sendak at the Main City Library

[slideShowProSC width=”600″ height=”450″ album=”399″] Roundly praised, intermittently censored, and occasionally eaten, Mr. Sendak’s books were essential ingredients of childhood for the generation born after 1960 or thereabouts, and in turn for their children.       —Margalit Fox, New York Times obituary   The news that a touring exhibit of works […]

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Remapping the Natural World: Elise LaJeunesse, Nancy Steele-Makasci and Matt Kruback at Finch Lane Gallery

One of the key questions art plays with at the present moment can be implied to the five-word phrase it is and it isn’t. Most traditional works of art unambiguously intend viewers to see just what they pretend to be: a visage, a human figure, a moment from life. Kandace Steadman pulled three artists from Finch Lane’s slush pile, the stack of proposals every gallery (like every publisher, whence the term is borrowed) draws from, and juxtaposed them to call attention to three relatively new forms of this ambiguity.

15 Bytes | Exhibition Reviews | Visual Arts

Local Hero: From Raw Nerve to Live Wire: Andrew Rice at Saltgrass Printmakers

[slideShowProSC width=”600″ height=”450″ album=”365″] On the radio recently, another self-proclaimed expert predicted confidently that from this day forward, the printing of maps would cease. Instead, from now on we will all find our way using the GPS-linked apps on our cell phones. An alternative future he unconsciously conjured, […]

15 Bytes | Exhibition Reviews | Visual Arts

Between Worlds: Bernard C. Meyers at Alice Gallery

[slideShowProSC width=”610″ height=”450″ album=”339″] “I love ambiguity,” Bernard Meyers says, and with that refreshingly unambiguous confession, highlights a principal characteristic of his photography. Ambiguity is what makes his photos—unlike the majority of images produced by today’s ever-more ubiquitous cameras—valid additions to our common visual language. Or in other […]

15 Bytes | Exhibition Reviews | Visual Arts

Being realistic about the future of painting: Joe Carter at Phillips Gallery

[slideShowProSC width=”600″ height=”450″ album=”323″] According to Wikipedia: The hippocampus (named after its resemblance to the seahorse, from the Greek hippos meaning “horse” and kampos meaning “sea monster”) is a major component of the brains of humans and other vertebrates. It belongs to the limbic system and plays important […]