In the recent issue of City Weekly, Brian Staker reviews Stephanie Leitch’s Untitled Apogee, which opened at UMOCA on Friday.

Artworks tend to include the imprint of the personality and social development of the artist, on some level or another. For installation artist Stephanie Leitch’s new work “Untitled Apogee” at the Utah Museum of Contemporary Art, the shape of the work itself took on a kind of psychological geography. Specifically, it’s an artistic reaction to the LDS culture of Salt Lake City, where she was raised…