As she ripped up a book for her show at the downtown library, Kandace Steadman took a moment to enjoy the irony of that reckless yet considered act (adding to the rethinking of how books can be used in different contexts) then settled in for the well-thought-out process […]
This isn’t likely to go over well. Sure, we took the team from New Orleans, a town with which we have little in common, and we couldn’t be bothered to change the name to something more Rocky Mountain-appropriate, but the Utah Jazz are definitely a local thing. Something […]
You don’t take a photograph, you make it. —Ansel Adams In a decade shy of 200 years—since its invention by British artists seeking a faster, easier way to draw from life—photography has joined those two great clichés of human invention, fire and the wheel, as […]
While George Balanchine’s “Jewels” may be best known as the first full-length abstract ballet, I find its magnificence resides in other features: its brilliant display of ballet’s history and the ways dancers and music convey different moods or atmospheres. Ultimately, I find the three sections of “Jewels” speak […]
READ LOCAL First represents Utah’s most comprehensive collection of celebrated and promising writers of fiction, poetry, literary nonfiction, and memoir. This week we bring you Larkin Weyand, who teaches courses in English education, creative writing, and composition at BYU. He taught high school English and art for nine years at American Fork High […]
The great 20th-century American photographer Paul Caponigro once remarked, “It’s one thing to make a picture of what a person looks like, it’s another thing to make a portrait of who they are.” Though initially it may have been lauded for its functionality, portraiture quickly became one of […]
Below is a conversation with Efren Corado, local choreographer and dancer who has performed with RDT for the past six years, published as part of loveDANCEmore’s November Digest. loveDANCEmore: We’ve heard that you’re leaving RDT at the end of the season. What are your future plans? […]
Early in Chalk hints of a fault line emerge, suggestions of a latent tension that will unfold throughout and disrupt the course of Joshua Rivkin’s rewarding excavation into the life of Cy Twombly. An alumnus of Black Mountain College in the 1950s, Twombly was a rising star in […]
From time to time, artists redirect the trajectory of art. Sometimes they make huge changes: ones that large parts of the art world then follow. At other times, subtle, self-contained discoveries stand alone, changing the way we think about art more than the way it’s done. And while […]
There’s nothing funny about depression — ‘tis the season for an onslaught of the crippling mental illness in Utah, a state whose residents statistically are particularly prone to it. (Perhaps it’s more prevalent here during Pride than Yuletide?) That said, Pygmalion Productions is presenting an adult contemporary comedy […]
“The natural world, particularly the wild waters of the west, have been deep balm for my soul. I’m deeply indebted to every stretch of water I’ve had the pleasure to fish.” This book is a gem of wisdom and interesting firsthand accounts from local author and U. English […]
What if you loved England or Japan, and you could no longer live there, it isn’t/wasn’t possible: you are marooned in America, land of tea dumped into a Boston harbor by men dressed like Indian braves. You might paint multiple crash-courses of teacups, sunlight spilling over them, […]
NORA ECLLES HARRISON MUSEUM OF ART WELCOMES BURTON COLBURN AS CURATOR OF COLLECTIONS AND EXHIBITIONS
Bolton Colburn has extensive curatorial and museum leadership experience. Colburn specializes in American art in the western United States, particularly in California art. Most recently he served as editor and guest curator for NEHMA’s Collecting on the Edge exhibition and catalogue. Other projects in recent years include supervising the development of the facility and permanent exhibition for Heroes Hall, a new museum in Orange County California focused on the stories of our veterans.
He has held posts as Executive Director of the Surfing Heritage Foundation, Director of the Laguna Art Museum, Senior Curator of the Laguna Art Museum and Senior Curator of the Orange County Museum of Art. His publications and exhibitions include Best Kept Secret: UCI and the Development of Contemporary Art in Southern California; Kustom Kulture: Von Dutch; Ed “Big Daddy” Roth, Robert Williams and Others; Across the Street: Self-Help Graphics and Chicano Art in Los Angeles; Surf Culture: The Art History of Surfing; In the Land of Retinal Delights: The Juxtapoz Factor; and In Nature’s Temple: The Art and Life of William Wendt.
UMOCA WELCOMES LAURA HURTADO AS NEW EXECUTIVE DIRECTOR
The Utah Museum of Contemporary Art (UMOCA) Board of Trustees has announced that they have selected Laura Allred Hurtado to serve as the Executive Director of the museum.
Hurtado was the global acquisitions art curator for the Church History Museum. She has published broadly, including two books, has worked and/or curated exhibitions in New York City, San Francisco, and throughout Utah, at such places as San Francisco Museum of Modern Art, Nox Contemporary, The Granary Art Center, The Utah Museum of Fine Arts, CUAC Contemporary, Riverside Church, the Rio Gallery, Columbia University, and the Utah Museum of Contemporary Art.
UMOCA board President Val Antczak stated, “Laura has the combination of knowledge and enthusiasm which will assure that UMOCA continues as a unique, vibrant showcase for contemporary art in Utah. She has been an integral part of the Utah art community for years, while following the contemporary art scene across borders and cultures and will build on our long history of bringing cutting edge contemporary art exhibitions to Utah.”
“For nearly 90 years, the Utah Museum of Contemporary Art has been an aesthetic force and community leader in Utah and beyond. I am honored and humbled to be a part of that longstanding legacy and to join a strong, passionate, hardworking and committed team – of trustees, staff, visitors, volunteers, and supporters,” declared Hurtado. “With a focus on experimentation, exploration, innovation, and community, UMOCA is a refuge for many – a space of community that creates critical dialogue around those issues that matter most.”
Alan Johnson, Director of Church History Museum added, “During her time at the Church History Museum, Laura has been instrumental in identifying and developing well-received exhibitions for our patrons. This experience, along with her innate passion for excellence and knack for innovation, make her an excellent fit to lead the UMOCA team.”
UMOCA’s Board of Trustees are confident that Laura will be an articulate advocate for contemporary art in Utah and look forward to her joining UMOCA on April 1.
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