Sundance artist Kent Christensen takes human obsession seriously: Like food, especially food, with an emphasis on dessert. And typically, that is what he paints. He recalls growing up “in the orange, lemon, and avocado groves of Southern California, where I acquired a fondness for orange crate labels, pop […]
In the memoir An American (Homeless) in Paris, the reader is invited to la mansion of author Chris Ames, a tent pitched atop an abandoned golf course overlooking the bourgeois center of Paris. Having returned from a sabbatical year of travel after being extricated from French domesticity as a result of divorce […]
“Gitana,” Philip Buller, 60″ x 60″ Collecting and displaying damaged artifacts, like broken pottery and scuffed postcards, was almost certainly a matter of necessity before it became a preference, but if the choice is between a flawless replacement and an original that shows a mixed patina of age, […]
“Venus and the Gift,” Sunny Taylor, acrylic on panel, 29×25,” 2017 When she’s creating her paintings, Sunny Belliston Taylor thinks in terms of “constructing” an image, or “building” a surface. “I piece visual information together in a way that feels very sculptural,” she says. “And although my works are […]
Ririe-Woodbury Dance Company and guest artists in Alwin Nikolais’s “Tensile Involvement” (1955). Photo by Tori Duhaime. The work of Alwin Nikolais presented in Ririe-Woodbury Dance Company’s Strata spanned three decades, but the exploratory nature of Nikolais’ work appears to transcend time. What was once progressive still feels to be so; […]
“Cloven,” by Nicole Pietrantoni, at the Kimball Art Center, photo by Stanna Frampton “Reader, this is a record of loss and abundance. Let me be clear – what is vulnerable has potential for change. Reader, as this is consequential, so let us be systematic.” So opens an excision […]
Shawn Porter’s works are derived from observation, developed by idea, and realized through a mastery of diverse materials and technique. The physicality of his installations capture the viewer with an aesthetic composed of formal elements and a playful taste for pushing the boundaries of material, balance and weight, […]
Jean Valentine, when once asked about the difference between a short poem and a longer poem, answered that a short poem was “like putting your face in icy water.” The water in Mike White’s Addendum to a Miracle, winner of the Anthony Hecht Poetry Prize in Britain, is indeed […]
Two artists featured at Art Access, beginning Feb. 16, bring similar precision to abstract design using different mediums. Eric Fairclough paints with acrylic or aerosol paint on birch panels, while Jessica Springman cuts her geometric designs out of paper using a very sharp knife. Fairclough is a […]
When Phyllis Forsey left for New York City in 1957, she was not headed for The Art Students League like some of her Utah peers. She took a more circuitous route to a painting career. Forsey had just finished her freshman year at BYU, where she had taken […]
“The photograph that we experience is not always the photograph that we see,” writes Joe Marotta on paper tacked to a wall of his show at Gittins Gallery. “I can look at a photograph I’ve looked at a dozen times and come up with a different story.” And […]
Gretchen Huff and Marissa Mooney both hold dual degrees in modern dance and gender studies from the University of Utah. Together they produced Dollhouse in February, exploring themes of womanhood and femininity in and amongst the rooms of a historic home in the Avenues. Huff and Mooney, also the show’s […]
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