Utah Exhibition Reviews published in 15 Bytes, Utah’s art magazine, including reviews of local Utah artists, regional artists, group exhibitions and traveling exhibits of national and international artists.
Laura Boardman recently invited some of her fellow artists to participate in an informal experiment to find out whether women as artists differ from men, and what the differences might be. Those invited were full-time painters with BFA or MFA degrees. Experience ranged from five to twenty-five years, […]
Beautifully articulated color combinations, carefully balanced compositions, credulous perspective, figural accuracy; all are to be found in the art of the Leipzig School, a group of artists trained at the Leipzig Art Academy whose works are now on display at the Salt Lake Art Center. The works in Life After […]
Forty-five years is a lifetime on the job: long enough to stretch from school to retirement. It is also the age of the American studio glass movement, which began in the 1960s with glass blowing breakthroughs by Harvey Littleton at the University of Wisconsin. Since then, increasing control […]
Through the month of June, visitors to Springdale, at the mouth of Zions Canyon, will have the opportunity to visit a restrospective exhibition of works by the late Anton Brent Gehring at the Canyon Community Center Gallery (126 Lions Boulevard). Gehring, who passed away in 2005, was born […]
With the development of sophisticated but user-friendly digital cameras, it seems anyone these days can take a decent photograph. And if they can’t, a few classes at a photoshop workshop will enable them to touch up anything that went amiss in the process of pointing and shooting. With […]
by Brandon Cook The Eccles Community Art Center is just around the corner from my studio in Ogden, so this past week I put down the brushes for an hour or so to stop in and take a look at the one-person exhibit of Doug Braithwaite. I’ve known Doug for […]
The first thing I noticed when I came through the well-aged door of Bluff’s Comb Ridge Coffee earlier this year (see May edition) was one of J.R. Lancaster’s assemblage paintings. Two rocks, one crescent shaped, the other resembling a distorted bell, appeared to be hanging just inches away from the […]
In the new show of paintings by Cary Griffiths to be exhibited at Palmers Gallery this month, viewers will find themselves confronted with works that may seem familiar — appropriations building upon twentieth-century painters from the New York school such as Pollock, Louis, Frankenthaller, Rothko, and Motherwell. Yet decidedly […]
“Mother and Child” by Paul Nielson The history of the beginning of modern art is often told in terms of a reaction to and discarding of the longstanding tradition of the Academy. The art academy has its roots in sixteenth-century France, coming on the heels of the artistic […]
Some years ago I was standing with a friend, looking up at the night sky, when she suddenly announced that she could see a face in the full moon’s disk. Yes, I replied: the Man in the Moon. Then she explained that in her forties she still thought […]
Chad Tolley & Members Show continues at Saltgrass Printmakers through the end of May. A postcard from SaltGrass Printmakers announcing a members’ show always gets posted by my door: a “must-see” event that by itself justifies a trip to Sugarhouse and the downtown environs. The collective of artists that make up the […]
Galleries in Downtown Provo have always been open late on the first Friday of every month for their gallery stroll, but their April event marked the beginning of a new annual event: “Art Chase.” People taking on the “Art Chase” challenge picked up a card at any of […]
The books of Robert Sabuda, acclaimed children’s book author and illustrator, are both mystifying and awe-inspiring to me. Which is why I eagerly anticipated his exhibition at the Utah Museum of Fine Art, which opened last month and continues through the summer. I was expecting that an exhibit by the […]
Over 20 years ago, philosopher and art critic Arthur C. Danto published his seminal essay reinterpreting the Hegelian concept of “the end of art” and introduced his notion of the “post-historical era.” Thirty years prior, another influential philosopher and shaper of aesthetic theory, Theodor Adorno, gave his own […]
Barbara Lyman has decided to throw away her brushes. Because she hates to clean them, she has traded in her sable and hog bristles for the palette knife. Her change in tools is matched by the dramatic stylistic change evident in her new body of work, on exhibit […]
