Exhibition Reviews

Utah Exhibition Reviews published in 15 Bytes, Utah’s art magazine, including reviews of local Utah artists, regional artists, group exhibitions and traveling exhibits of national and international artists.

Exhibition Reviews | Visual Arts

Trent Alvey and the Perishing, Mortal Eye

For a couple of magic years during her adolescence, I drove my step-daughter to and from school five days a week. During those shared moments, one of her favorite things was to tell me her dreams. Eventually I realized her narratives went on far too long for her to be remembering them: that she had, in fact, returned to the dream state and was telling me the dream as she witnesses it continuing. The literary novelist, Robert Olin Butler, describes the process of artistic creation just so, as dreaming while awake, and I realized that I’d had the rare privilege of witnessing that process in play. 
That description comes close to accounting for the art of Trent Alvey, in that her works are rooted in abstractions and resist ascribing them to subject matter.

Exhibition Reviews | Visual Arts

Eric Garcia Simultaneously Explores Ideas that Address Local and Universal Concerns

New Mexico artist Eric Garcia is the latest recipient of a spot in Ogden Contemporary Art’s (OCA) artist-in-residence program. The program, as showcased with their inaugural artist-in-residence Ya La’Ford aims, to bring national and international artists to Ogden to investigate via their art issues that affect both Utah […]

Exhibition Reviews | Visual Arts

Some Things We Noticed at the Spring Salon: Rose Dall, Kent Ricks, Stefani Kimche, Makennah Aagard

A piece of art is like a fingerprint. Even if two artists use the same tools, processes, inspiration, and subject matter, each finished piece, no matter how similar, will display subtle differences because each artists’ experience is their own and, whether they like it or not, their work is stamped with their unique signature of personal perspective developed throughout their life.
Rose Dall’s “I Was, I Am” utilizes relief typography in contrast to her two-dimensional self portrait. A hand, formed of strong brush strokes, pulls Dall through a cacophony of negative talk and stereotypes that threaten to drown her; her face breaks through the debilitating wave to be embraced by positive phrases of who she really is, her worth, and her essential presence, illuminating the powerful need of a helping hand that people so often struggle to reach for.