Utah Exhibition Reviews published in 15 Bytes, Utah’s art magazine, including reviews of local Utah artists, regional artists, group exhibitions and traveling exhibits of national and international artists.
While the two exhibits that hung together in The Gallery at Library Square during the start of 2019 offered a thematic comparison of nature and its elements as found in the works of Lisa Anderson and Susan Makov, the two shows up through April 26, by Nancy Starks […]
One of the greatest connections in the history of the United States was made when the golden spike at Promontory Point, Utah, joined the Union Pacific and Central Pacific railroads and united a continent. Train Tracts, a project conceived by writer Amie Tullius (with support from printmaker Stefanie Dykes) to […]
I have to admit it: I had no idea landscape arches vibrate and thus create sound (albeit through frequencies inaudible to the human ear). Learning this fact alone makes attending Displacing Vibrations, on view at Nox Contemporary through April 5, worthwhile. Ambitious in its scope and message, the […]
In her profile of Joseph Ostraff for the Artists of Utah publication Utah’s 15: The State’s Most Influential Artists, Laura Durham focuses on the artist’s tendency to seek engagement from others in his work — from the artists and individuals who have influenced him, to the scores of […]
What if women were the pioneers of the West? Would our relationship with Native Americans be different? What about our impact on the environment? What would our society look like today had our region been founded under a matriarchy? These are a few questions raised by Jennifer Nehrbass’ […]
What Edward Bateman does is as much in the realm of science as art — as reminiscent of Leonardo and Edison as of Michelangelo. Which is to say that unless you can grasp what he’s about on his computer, it becomes difficult to explain the results of his […]
“Part of what artists do is call attention to things that have been overlooked, and do so in a way that causes people to start noticing on their own,” Jim Frazer said in early 2018 while working on a project in which he transformed the trails of bark-beetle […]
The dynamism of the natural world surrounds us: we are part of systems that grow and decay, process and alter on a continual basis. Nothing is static as matter and substance morph sometimes imperceptibly, and sometimes so dramatically it’s jarring to witness. These changes are at the heart […]
“A one-inch grid covering a square. Within each of the one-inch squares 1) Vertical black lines 2) Horizontal yellow lines 3) Diagonal right red lines Or 4) Diagonal left blue lines As many lines as are desired, but at least one line in each square. Colored pencil” These […]
In Matt Flint’s paintings, creatures —owls, wolves, bears, horses, swans — emerge from the gloaming, the twilight thicket. Gloam, meaning the making or growing of twilight or dark, now called “an archaic Scottish verb,” was drawn from Old English glom, for “twilight,” and glowar, which meant “glow.” […]
By the end of the 1860s locomotives could travel at a rate of roughly 30 to 40 miles an hour. In an age of jet travel and fiber optics this may not sound like much — you may be traveling twice this pace while reading these words — but in the 19th century, this was life-altering speed. Together with photography and telegraphy, steam locomotion was believed to be an annihilator of time and space. Never before in history had humans been able to travel at such a rate, communicate instantaneously over such great distances, and see the entirety and variety of the world in a print. Together these cutting-edge technologies transformed the way humans engaged and perceived the world — a world that now seemed a little bit smaller.
Planning is useful. It provides structure, focuses energy. But, as Zachary Proctor’s new works at Park City’s Terzian Galleries attest, getting lost in the work has its advantages as well. In Destinations Unknown, Proctor is exhibiting with longtime friend and past exhibition partner Lane Bennion. The pair usually […]
