Utah Exhibition Reviews published in 15 Bytes, Utah’s art magazine, including reviews of local Utah artists, regional artists, group exhibitions and traveling exhibits of national and international artists.
A jewelry display by Kristie Krumbach (bracelets, earrings) glowing center-stage beneath the halogen at Phillips Gallery is a perfect counterpoint to the paintings of women by Megan Gibbons: not a one of the several lone women in the latter’s large oils on canvas is wearing a ring. Or […]
As you approach the sunlit clerestory of Salt Lake City’s A Gallery, the first of Toni Doilney’s paintings you see, “Old Town,” prepares you for the dare and ski-run of all these paintings — a rising and falling series of moving terrestrial lines, suggesting terracing, the magic of […]
Every year the Salt Lake City art scene — sometimes lamented as pale, even provincial, compared to sister hipster cities Portland and Austin — brightens with another interesting national show or event like the University of Utah’s PaperWest. In its second iteration, the biannual show at the Gittins […]
In Viktor Shklovsky’s “Art as Technique,” the character of a horse, contemplating the relationship between humans and their private property, wonders at the oddity of a person’s need to claim an object as “mine” without regard to if that object presents any function or necessity for the […]
“The deepest thing we can learn about nature is not how it works, but that it is the poetry of survival.” — John Fowles The Poetry of Survival, up at Utah State University Eastern’s East Gallery through Nov. 1, showcases work by Anne Kaferle and Kadi Franson, two artists […]
In the darkened gallery they float like apparitions, life-size outlines of figures captured in poses that shift between submission and aggression, carved masks sprouting from their flattened surface suggesting fear, defiance, bafflement, awe. Nancy Friedemann-Sánchez’s Casta Paintings, currently on exhibit at the Street Gallery of the Utah Museum […]
An artistic process that’s been practiced for centuries, from Albrecht Dürer’s woodcuts to Andy Warhol’s silk-screens, printmaking is a dynamic art form with capabilities that extend far beyond its typical associations with wall posters or flattened reproductions. Contemporary printmaking surprisingly lends itself to a variety of processes, from […]
Myth, open at Modern West Fine Art until October 31 and featuring three of the gallery’s newly represented artists — Fidalis Buehler, Mitch Mantle, and Wren Ross — combines their three bodies of work, which share a preoccupation with pictorial symbolism and a dash of aesthetic abruptness. Colorful, […]
Jason Lanegan’s “Ancestral Reliquary II: Sylvina Belle Frohlich” could be described as a geometric assemblage that, hanging on a wall, establishes a context that literally connects it to architecture. The reference is underscored by hints in its shape: complex, house-like, but initially disorienting, not least because of the […]
There’s a lot for the heart and mind and mental taste buds in the Art Access II Gallery, where the color palettes used by painters are almost merry-go-round rich. Most unforgettable is Tess Cook’s oil-on-panel “Smooshed,” where a tropical blue turtle industriously works its way across the goo […]
What are prints? In a way, they’re coinage: capable of being drawn, or pulled, as printmakers say, from a belabored crucially important original art surface, in potentially endless number. Unlike coins, a print has a stated and limited run. And a good printmaker does an almost horrific thing […]
Half a century ago, the children of Frank McEntire’s generation studied science in classrooms that self-consciously resembled laboratories: microscopes stood on tables and gas jets protruded from black, plastic-topped counters. On the walls hung graphic summations of fundamental scientific knowledge: evidence of taxonomy, the original business of sorting, […]
