The works in Vertical Obedience, Nolan Flynn’s upcoming exhibition at Finch Lane Gallery, bring together two ends along the timeline of contemporary abstraction, mixing Jason Craighead’s ephemeral mark making and exposed canvas with the subconscious notes scribbled within the compositions of Jean-Michel Basquiat’s paintings. In Flynn’s raw […]
Is it possible to make sense of a large, statewide exhibition constructed on little more than common mediums and the tastes of one or two jurors? Possibly, but it’s not easy; or always advisable. So, for the Utah Division of Arts and Museum’s 2019 statewide annual at the […]
Attempts to gentrify south Provo have been quietly underway for decades. The area around 500 South just west of University Avenue is one of the few industrial areas from the early 20th century in Provo, and developers have recently started to capitalize on the industrial aesthetic fetish, turning […]
With Temporary Configurations of Earth’s Matter, Collin Bradford has organized a space to contemplate our relationship with the land. This question is a difficult one, in part, because the relationship we have with the land is as unique as each individual; but the questions that arise from it are particularly germane […]
On Saturday, Nov. 23, a small group formed in a Salt Lake City backyard filled with chairs and an outdoor heater. After socializing and viewing an art exhibition in the backyard’s small gallery/shed, the group listened to a 20-minute lecture by artist Patrick Durka before time was opened […]
Going out into the big world: that’s Sam Walker’s paintings in this exhibit called SOIL SAND SURFACE. Danielle Susi, the fiber artist whose work appears like crafted landmasses between Walker’s large paintings, tells us with her embroideries that all our life continues due to continents, continents which hold […]
If it weren’t for art galleries, Shon Taylor might never have met his wife. It was Kayo Gallery, 13 years ago. “Wouldn’t have happened if that gallery didn’t exist,” he says. “Wouldn’t have happened if we all just sat at home and clicked ‘like’ on Instagram.” The social […]
ILLUMINATE, advertised as “Utah’s Light Art and Creative Technology Festival,” graced the interior and exterior of The Gateway during the evenings on Nov. 8 and 9. Charged with both a religious and cultural connotation and often celebrated at the beginning of the winter, light festivals can be a […]
As Europeans moved west across North America they littered their maps with place names. Many of these were inspired by the people who already occupied those locales; a fair share were transplanted from the “old world;” and others grew out of narcissism and boosterism. When Mormon settlers arrived […]
Appreciating nature is becoming more complex. Each moment, our conception of the wild is tainted with the knowledge of dying species, sea turtles stabbed by straws, and the looming destruction of megastorms. It is difficult to go out into nature without encountering plastic on the roads, cardboard on […]
On October 25, the Utah Museum of Fine Arts (UMFA) unveiled four sensational paintings as part of a collaboration with the Smithsonian American Art Museum and Art Bridges, a foundation focused on increasing regional access to American art. The UMFA has selected three paintings from the Smithsonian’s rich […]
A jewelry display by Kristie Krumbach (bracelets, earrings) glowing center-stage beneath the halogen at Phillips Gallery is a perfect counterpoint to the paintings of women by Megan Gibbons: not a one of the several lone women in the latter’s large oils on canvas is wearing a ring. Or […]
As you approach the sunlit clerestory of Salt Lake City’s A Gallery, the first of Toni Doilney’s paintings you see, “Old Town,” prepares you for the dare and ski-run of all these paintings — a rising and falling series of moving terrestrial lines, suggesting terracing, the magic of […]
Every year the Salt Lake City art scene — sometimes lamented as pale, even provincial, compared to sister hipster cities Portland and Austin — brightens with another interesting national show or event like the University of Utah’s PaperWest. In its second iteration, the biannual show at the Gittins […]
In Viktor Shklovsky’s “Art as Technique,” the character of a horse, contemplating the relationship between humans and their private property, wonders at the oddity of a person’s need to claim an object as “mine” without regard to if that object presents any function or necessity for the […]