Utah Dance articles published in 15 Bytes, Utah’s Art Magazine.
Bashaun Williams in Ann Carlson’s “Elizabeth, the dance”. Set by Torry Bend. Photo courtesy of Ririe-Woodbury. Choreographer Ann Carlson has a longstanding relationship with Ririe-Woodbury Dance Company, originally studying modern dance under company co-founders Shirley Ririe and Joan Woodbury at the University of Utah in the 1970s. While […]
Artists of Ballet West in Kurt Jooss’ The Green Table, by Kelli Bramble Photography. For the close of their season, Ballet West presents a program that spans over 80 years of dance making with three astoundingly diverse works. Beginning with George Balanchine’s Chaconne, dancers in softly draped dresses cover […]
The performance content of Save Your Own Skin is inspired by questions arising from a prototype of bulletproof skin and other ways that we attempt to shield ourselves from vulnerability. The collaborators of the work include Tanja London, Carloss Chamberlin, Jason Rabb, Nick Foster, Ami Hanna. The performance takes place […]
Keanu Brady & full cast of a previous performance of You by Graham Brown, courtesy of the Sonder fb page Sonder, a collaborative immersive dance theater experience choreographed and directed by Graham Brown and produced by Sackerson will run for two weekends at the Eagles Hall. This historic […]
Ballet West artists in Oliver Oguma’s 2016 Innovations work “Fragments of Simplicity”. Photo by Dave Brewer, courtesy of Ballet West. Formerly known as Innovations, Ballet West’s newly titled Works from Within has moved to the Eccles Center in Park City. Works from Withinshares choreography from company ranks and 2017’s iteration presented world […]
Backdrop for Utah Regional Ballet’s production of Snow White, by Cassandra Barney. Painter Cassandra Christensen Barney has plenty of experience coming up with costumes and set designs for the characters in her paintings — whimsical females in period dresses, often surrounded by a menagerie of flora and fauna. […]
Attending two performances addressing themes of gender, sexuality, race, and power in Salt Lake City over the same weekend in November was disorienting. UMOCA’s When Flesh Becomes Matter: Bodies Unbounded, by choreographer Yasin (Ya-Ya) Fairley, and the University of Utah School of Dance’s Gender/Power, by Maya Ciarrocchi and Kris Grey alongside U […]
Repertory Dance Theatre’s season opener, Élan, was an eclectic evening of dance which opened with “Handsfree,” a piece commissioned for Britain’s National Youth Orchestra in 2012. The piece tasks performers with creating rhythms by clapping, stamping, singing and beat-boxing, and RDT’s version draws on the talents of both […]
Ririe Woodbury’s 2016 Fall Season presented a re-staging of Tzveta Kassabova’s “The Opposite of Killing” (2010) and Jonah Bokaer’s “Fragments” (created for the company in 2014) alongside the world premiere of artistic director Daniel Charon’s “Elegy.” A thread that linked the three works to each other conceptually was […]
“One…two…three…four…five…six.” We’re at my home in my kitchen with my four-year-old daughter. Tzveta Kassabova is not counting out the moves from her choreography (if you know her well enough then you know that she doesn’t often, if ever, work with counts). She is counting cups of flour. She […]
Dancer stands in black Mouth open yelling no sound the streetcar leaves dusk is coming, clouds backlit, urban landscape another dancer approaches Nomad presented a handful of new works by recent University of Utah graduates Natalie Border, Austin Hardy, and Elle Johansen at the Nomad Network, a collective arts […]
For its fourth show, NOW-ID presented the multi-collaborative performance Exodus to Salt Lake audiences July 27-29. While the company has previously opted for less conventional spaces—the Masonic Temple and Saltair are two examples—Exodus was presented at the University of Utah’s Marriott Center for Dance, and aimed to focus […]
