. . . Mallory’s preferred materials are handmade papers, cloth, wax, fiber, strings, and ink, with which she produces lines and surfaces for them to articulate. Her most characteristic objects are clusters of vessels that aggregate ambiguously on a wall—part natural populations, part fabricated clusters. In much of her earlier work, these often evoked winged creatures or pollen-producing plants. Even in the presence of metal screws and rods holding them together, these flocks and bouquets, with their vivid veins and segmentations, overwhelmingly suggest organic matter, structure, and process: tubes, leaves, membranes, and what might be constructed with them . . .
Read the review in the July 2014 edition of 15 Bytes.