Rebecca Pyle is a writer and an artist with work in dozens of art/literary journals, in the United States and also in journals (in the English language) in India and the United Kingdom and in France and Germany. She graduated from the university the Wizard of Oz adored, the University of Kansas, where she studied art and lit. See rebeccapyleartist.com.
“There is much in the scenery to admire; mountain rising above mountain, precipice rising above precipice.” — Samuel Parker, Journal of an Exploring Tour: Beyond the Rocky Mountains in 1835 How do you review mountains, or paintings of mountains? Mountains too formidably, completely, contain all opposites: in paintings, every […]
At the top of the winter hill in the old mountain mining town made of buildings of warmed old wood and cold glass are wood sculptures and glass pieces created by David LeCheminant. Looking at his work upstairs in the Meyer Gallery, you feel you’re in a snow […]
What would you come back to see if you could, after death? Would you want to sit in your favorite restaurant? The one you’d been in hundreds of times, with servers who you knew by name, even your own kin at the table? They wouldn’t be able to […]
A feeling of almost baronial formality falls over you as you approach paintings by Heather Barron, a feeling you should straighten your clothes as you approach framed mirrors. Petits fours, anyone? In America, petits fours are received as a gift in a long, very shallow box: they’re a […]
Going out into the big world: that’s Sam Walker’s paintings in this exhibit called SOIL SAND SURFACE. Danielle Susi, the fiber artist whose work appears like crafted landmasses between Walker’s large paintings, tells us with her embroideries that all our life continues due to continents, continents which hold […]
A jewelry display by Kristie Krumbach (bracelets, earrings) glowing center-stage beneath the halogen at Phillips Gallery is a perfect counterpoint to the paintings of women by Megan Gibbons: not a one of the several lone women in the latter’s large oils on canvas is wearing a ring. Or […]
As you approach the sunlit clerestory of Salt Lake City’s A Gallery, the first of Toni Doilney’s paintings you see, “Old Town,” prepares you for the dare and ski-run of all these paintings — a rising and falling series of moving terrestrial lines, suggesting terracing, the magic of […]
There’s a lot for the heart and mind and mental taste buds in the Art Access II Gallery, where the color palettes used by painters are almost merry-go-round rich. Most unforgettable is Tess Cook’s oil-on-panel “Smooshed,” where a tropical blue turtle industriously works its way across the goo […]
What are prints? In a way, they’re coinage: capable of being drawn, or pulled, as printmakers say, from a belabored crucially important original art surface, in potentially endless number. Unlike coins, a print has a stated and limited run. And a good printmaker does an almost horrific thing […]
It’s as if a mad chef split an enormous cooking gallery into all round bowls and pans and rolling pins on one side; on the other, angular cutting boards, trays, rectangle and square pans. “Brights, sweets, for you,” he cries to Susan Jarvis the painter. “Darkness, depth,” he […]
“Use of color” is an expression over-abundantly used, often because someone doesn’t know what to say about art, or artists: as an artist, you are congratulated on “your use of color” when, of course, you usually have no choice. Color’s there, it happens; you might have chosen the […]
David Ericson Fine Art is a gallery’s gallery: old, jumbled, cozy. In this 1883 building, two chairs have been carefully set across from each other in front of the small fireplace, with its old ornamental insert, the solid, dull brass looking like an ancient shield against winter. There’s […]
