Rebecca Pyle is a writer and an artist with work in dozens of art/literary journals, in the United States and also in journals (in the English language) in India and the United Kingdom and in France and Germany. She graduated from the university the Wizard of Oz adored, the University of Kansas, where she studied art and lit. See rebeccapyleartist.com.
At this show, you’ve really, for all effects and purposes, been invited into Brent Godfrey’s studio. Postponed for over a year by the pandemic, the exhibit contains Godfrey’s social-statement (“social studies”) paintings, enormous abstracts, small and large figurative paintings, woven canvas pieces, works on paper. Called Matter of […]
Since retiring from a career working as a graphic designer for KUED-TV, Doug Wildfoerster has given full rein to his personal artistic vision. The self-taught watercolorist has had his work featured in solo shows at Alpine Art, the Chapman Library, the Day-Riverside Library and the Duchesne County Library, […]
Paige Anderson’s paintings are a trip into high order. All is arranged, undone, arranged again. In “A Map of Salt and Stars” and “Heavens Clothed in Earthly Vestments” pointed star-shapes repeat very, very methodically, but with squinting shimmer-gleam, like the modulated light emanating from a crop of night […]
If ever a group of paintings of trees could bring you close to tears, it might be these paintings by Silas Thompson, in his new show, The Hidden Forest. Thompson, still a young painter, is a sort of forest spy/messenger. One who can be trusted, because he resists […]
The puzzle throb in the work by painter Steven Stradley at “A” Gallery is asking for solution, and, at the same time, for no solution but gravity. You feel drop from North to South, continual ambitious crossing from East to West. And back. And, unraveledness, exasperation. Through them […]
Face it, Katherine Indermauer’s chapbook Facing the Mirror says: since mirrors arrived, people, and our world, have never been the same. So powerful are mirrors, says this small spell of a book — an essay which also has, mildly, sometimes, the feel of a scientific/alchemic journal – that […]
“There is much in the scenery to admire; mountain rising above mountain, precipice rising above precipice.” — Samuel Parker, Journal of an Exploring Tour: Beyond the Rocky Mountains in 1835 How do you review mountains, or paintings of mountains? Mountains too formidably, completely, contain all opposites: in paintings, every […]
At the top of the winter hill in the old mountain mining town made of buildings of warmed old wood and cold glass are wood sculptures and glass pieces created by David LeCheminant. Looking at his work upstairs in the Meyer Gallery, you feel you’re in a snow […]
What would you come back to see if you could, after death? Would you want to sit in your favorite restaurant? The one you’d been in hundreds of times, with servers who you knew by name, even your own kin at the table? They wouldn’t be able to […]
A feeling of almost baronial formality falls over you as you approach paintings by Heather Barron, a feeling you should straighten your clothes as you approach framed mirrors. Petits fours, anyone? In America, petits fours are received as a gift in a long, very shallow box: they’re a […]
Going out into the big world: that’s Sam Walker’s paintings in this exhibit called SOIL SAND SURFACE. Danielle Susi, the fiber artist whose work appears like crafted landmasses between Walker’s large paintings, tells us with her embroideries that all our life continues due to continents, continents which hold […]
A jewelry display by Kristie Krumbach (bracelets, earrings) glowing center-stage beneath the halogen at Phillips Gallery is a perfect counterpoint to the paintings of women by Megan Gibbons: not a one of the several lone women in the latter’s large oils on canvas is wearing a ring. Or […]
Retro Furniture Changes Colors — Chroma Gallery
In the late ’80s, Erdmann ran the Salt Lake Contemporary Gallery in downtown Salt Lake where he showed minimalist and color-field art at a time when “Mark Rothko wasn’t a household word.” Reception to the gallery was not overwhelming and it eventually closed down. Since that time, abstract art has failed to achieve a pervasive presence in Utah. The Salt Lake Art Center has had more and more exhibits highlighting contemporary art and Phillips Gallery has survived showing abstract work, but few other venues for abstract art have proven viable…
