Hannah Sandorf Davis graduated with a degree in art history with a minor in visual arts from Brigham Young University.
“Contemplating Weird Stages,” 1982. Stepping into the BDAC this past week was like stepping back in time. The work of Charles Keeling Lassiter feels like a transplant from nearly a half-century earlier when artists were experimenting with ideas of primitivism, tortured human forms, and crowded compositions. His works […]
“Head in Snow,” mixed media on wood, 36” x 48” 2018 When Clement Greenberg wrote his essay “Avant-Garde and Kitsch” in 1939, he declared art as standing opposite kitsch, as a remedy to the dumbing down of taste in a consumer culture. In the decades since, however, many […]
Could Gallery MAR have discovered a match made in art heaven? Montana artist Shawna Moore and Californian R. Nelson Parrish produce very complementary work, to the point that even their color palettes and produced textures are similar. In MAR’s latest exhibition, Time, the two artists are brought together to […]
. Peter Everett, 48, is far more than the soft-spoken professor of first impression. His paintings speak to a remarkably powerful inner core of human spirituality that most people are either unaware of or choose to ignore. His current show at Ephraim’s Granary Art Center demonstrates this through […]
Is Expressionism dead in the age of conceptual new media? Salt Lake City artist Rebecca Pyle suggests it is not. In her current exhibition in The Gallery at Library Square, Pyle presents her incredibly emotive painting through powerful brushstrokes and luminous colors. Her paintings function like topographical memory […]
“Arcanum,” Adam Watkins, 2015. Adam Watkins’ photography is strangely hypnotic. Using ornate settings, theater-like props, and bright colors, his images are given a life of their own, creating scenes he describes as “paradoxes of hyper-reality and the empathic tissue of the photographic narrative.” Watkins even admits to sometimes […]
“Morning’s Table,” 28″ x 28″ oil Home-decor magazines, with their adoption of the fruit still life as a staple of “kitchen art,” may have dulled our appreciation for the dynamic, emotional, and thrilling aspects of produce-based subjects, but Springville artist Leslie Duke, with her intricate mark-making and lively […]
James and Mirabel Rees In the rush of the holiday season it can be easy to get caught up in the commercialization of the winter. However, the holidays are also the best part of the year to spend time with family, express gratitude, and look for ways to […]
Compiling faculty shows is a balancing act between honoring the artists’ personal styles and still telling a story with an exhibition. An artistic gem in this genre can be found in Sanpete County, in the form of the 2017 Snow College Visual Arts Faculty Biennial Exhibition. It’s a hodgepodge […]
Since the advent of the Internet, mailings have dropped dramatically, yet millions of letters are still sent every day. What happens to all those used envelopes? At least some of them find their way into the inventive collages of Jean Richardson. In her exhibition Destination Unknown, at the Granary Art […]
“Inversion” by Reid Elem Bringing a group of artists together can be like herding cats: with the natural desire for personal creativity, artists and their work are inclined to go their individual way rather than function as part of a group. So, when universities across the country curate […]
Ryan Trimble “Man can embody truth, but he cannot know it,” said Yeats. This is the motto photographer Ryan Trimble lives by and the thesis of the personal introduction on his website. Trimble is a photographer, writer, and father of three daughters, but he is first and foremost […]
In 2016, gallerist Brad Kramer decided to display a painting by J. Kirk Richards depicting the biblical Eve as African. The ensuing controversy came from an unexpected source. Not from the prudish, objecting to the depiction of her naked breasts (Kramer’s gallery is in Provo and his audience […]
Gregory Abbott’s “Remlock Too” Springville’s newest exhibition, Wit and Whimsy: Off the Deep End, is more whimsical than it is witty. The majority of the pieces are fun, lighthearted, and fantastic explorations of curiosity, but, for the most part, they fail to deliver on the exhibition’s promise to expose […]
“Metamorphosis” by Laura Erekson Atkinson, mixed media, 2017 In her latest work, Laura Erekson Atkinson explores a very intimate experience in her life – pregnancy. “It’s a beautiful process, but it can also be hard, painful and difficult,” she says. “I wanted to explore all parts of pregnancy […]
