Playwright Brian Richard Mori set himself a challenge when he set out to dramatize one of the 20th century’s most illuminating literary feuds. While more than half of all Americans must be old enough to remember this and other events from the early 1980s, few things can have […]
Geoff Wichert has degrees in critical writing and creative nonfiction. He writes about art to settle the arguments going on in his head.
[slideShowProSC width=”600″ height=”775″ album=”401″] When Jena Schmidt saw ‘Black North’ written inside the lid of her grandfather’s brass compass, the words resonated with her painterly project as though she’d found a fellow explorer. While compass directions have rich associations for us, they don’t really have colors: north is […]
[slideShowProSC width=”600″ height=”450″ album=”399″] Roundly praised, intermittently censored, and occasionally eaten, Mr. Sendak’s books were essential ingredients of childhood for the generation born after 1960 or thereabouts, and in turn for their children. —Margalit Fox, New York Times obituary The news that a touring exhibit of works […]
Remapping the Natural World: Elise LaJeunesse, Nancy Steele-Makasci and Matt Kruback at Finch Lane Gallery
One of the key questions art plays with at the present moment can be implied to the five-word phrase it is and it isn’t. Most traditional works of art unambiguously intend viewers to see just what they pretend to be: a visage, a human figure, a moment from life. Kandace Steadman pulled three artists from Finch Lane’s slush pile, the stack of proposals every gallery (like every publisher, whence the term is borrowed) draws from, and juxtaposed them to call attention to three relatively new forms of this ambiguity.
In Don’t Read This, eight artists attempt to explore incorporating the verbal content of a message into the way it’s presented without allowing text to hijack the image.
In theory, we look at each work of art individually; a bad painting by a famous painter is still a bad painting, while quality can stand in isolation. In reality, though, reputation and the aura of greatness are the original resumé, and a familiar body of work is […]
[slideShowProSC width=”600″ height=”450″ album=”365″] On the radio recently, another self-proclaimed expert predicted confidently that from this day forward, the printing of maps would cease. Instead, from now on we will all find our way using the GPS-linked apps on our cell phones. An alternative future he unconsciously conjured, […]
[slideShowProSC width=”600″ height=”800″ album=”361″] Water is one of art’s great subjects, and why not? One of four indispensable elements known to the Greeks, it’s the one that comes closest to being unique to our planet. Water makes life possible, but also shapes and even transports it. We know […]
Despite the obviously punning reference in its title, a first glance around Driven to Abstraction suggests a third layer of meaning: the impact of the open road on art. Here are three prominent canvases by Jean Arnold, her familiar perspective from her mobile studio—a public bus—condensing transport into […]
“It’s well known that while it’s only a forty mile drive from Ogden to Salt Lake, it’s at least a hundred and forty miles from Salt Lake to Ogden.” With tongue thus firmly in cheek, Scott Patria, co-founder of the gallery venture he likes to call a “low […]
[slideShowProSC width=”610″ height=”450″ album=”339″] “I love ambiguity,” Bernard Meyers says, and with that refreshingly unambiguous confession, highlights a principal characteristic of his photography. Ambiguity is what makes his photos—unlike the majority of images produced by today’s ever-more ubiquitous cameras—valid additions to our common visual language. Or in other […]
[slideShowProSC width=”600″ height=”450″ album=”323″] According to Wikipedia: The hippocampus (named after its resemblance to the seahorse, from the Greek hippos meaning “horse” and kampos meaning “sea monster”) is a major component of the brains of humans and other vertebrates. It belongs to the limbic system and plays important […]