Ansel Adams, the first photographer to insist that photographs are artworks, blurred another boundary when he compared the making of a photograph to the composition of music. The negative, he said, was like a score, and the print was like a performance. Marcel Duchamp, the pioneering gender-bender who […]
Geoff Wichert has degrees in critical writing and creative nonfiction. He writes about art to settle the arguments going on in his head.
It hasn’t been long since Laura Hope Mason graduated from the U of U. This becomes apparent during her opening lecture for her latest show, now up at the Salt Lake City Library, when questions asked by her audience turn into shared recollections of classes taken, particular professors, […]
[slideShowProSC width=”600″ height=”800″ album=”432″] One of the more perennially popular genres of art, often done in watercolors that are engraved and printed—sometimes bound in albums or books, at other times framed in sets hung together on a wall—is the ‘botanical,’ a characteristics-displaying portrait of a plant species shown […]
OK. You may be convinced there is one authentic way of painting. One subject matter, perhaps, and one legitimate presentation. Like Clement Greenberg, you may think pure painting must be flat, call attention to itself as two-dimensional manipulation of color and form on a wall. You may associate […]
Playwright Brian Richard Mori set himself a challenge when he set out to dramatize one of the 20th century’s most illuminating literary feuds. While more than half of all Americans must be old enough to remember this and other events from the early 1980s, few things can have […]
[slideShowProSC width=”600″ height=”775″ album=”401″] When Jena Schmidt saw ‘Black North’ written inside the lid of her grandfather’s brass compass, the words resonated with her painterly project as though she’d found a fellow explorer. While compass directions have rich associations for us, they don’t really have colors: north is […]
[slideShowProSC width=”600″ height=”450″ album=”399″] Roundly praised, intermittently censored, and occasionally eaten, Mr. Sendak’s books were essential ingredients of childhood for the generation born after 1960 or thereabouts, and in turn for their children. —Margalit Fox, New York Times obituary The news that a touring exhibit of works […]
Remapping the Natural World: Elise LaJeunesse, Nancy Steele-Makasci and Matt Kruback at Finch Lane Gallery
One of the key questions art plays with at the present moment can be implied to the five-word phrase it is and it isn’t. Most traditional works of art unambiguously intend viewers to see just what they pretend to be: a visage, a human figure, a moment from life. Kandace Steadman pulled three artists from Finch Lane’s slush pile, the stack of proposals every gallery (like every publisher, whence the term is borrowed) draws from, and juxtaposed them to call attention to three relatively new forms of this ambiguity.
In Don’t Read This, eight artists attempt to explore incorporating the verbal content of a message into the way it’s presented without allowing text to hijack the image.
In theory, we look at each work of art individually; a bad painting by a famous painter is still a bad painting, while quality can stand in isolation. In reality, though, reputation and the aura of greatness are the original resumé, and a familiar body of work is […]
[slideShowProSC width=”600″ height=”450″ album=”365″] On the radio recently, another self-proclaimed expert predicted confidently that from this day forward, the printing of maps would cease. Instead, from now on we will all find our way using the GPS-linked apps on our cell phones. An alternative future he unconsciously conjured, […]
[slideShowProSC width=”600″ height=”800″ album=”361″] Water is one of art’s great subjects, and why not? One of four indispensable elements known to the Greeks, it’s the one that comes closest to being unique to our planet. Water makes life possible, but also shapes and even transports it. We know […]