The right title can do a lot to empower an exhibition. The best name on a show in recent memory belongs to Lizze Määttälä’s exhibit in the Artists-Working-in-Utah gallery at UMOCA, which she calls Uphill / Both Ways. Of course the phrase isn’t original, having started life in […]
Geoff Wichert has degrees in critical writing and creative nonfiction. He writes about art to settle the arguments going on in his head.
In the century and a half since photography rose up to challenge painting as an image source, artists have invented countless strategies for incorporating photos into their working methods. Some use snapshots to replace the traditional sketch book. Others primarily paint things they could never see in person, […]
[slideShowProSC width=”600″ height=”650″ album=”512″] There’s a hint of cruelty in the Rio Gallery’s choice to devote August, a month most people spend wearing as little as modesty permits, to the subject of clothing. Among the nine artists here, there are enough heavy garments, long-sleeved shirts, and gloves to […]
In Yolande Harris’s current exhibit at the Woodbury Museum of Art the artist uses sound, light and installation to upend the senses.
[slideShowProSC width=”600″ height=”400″ album=”517″] The weeks of August are truly the doldrums for art exhibitions, no less in Utah than elsewhere. For whatever reasons—the population crowding their vacations into what’s left of the summer, the colleges that house many of the nonprofit galleries being between semesters, perhaps some […]
On July 16, in the Harris Fine Arts Building, a traditional showcase for BYU student projects, senior Katie Marie Liechty installed what might have been intended to be three separate ensembles, although the complete installation also works well as one compound work. Given the subject matter of this […]
[slideShowProSC width=”600″ height=”700″ album=”491″] Aesthetic theory has always been a subset of Philosophy, a body of human thought that modern science has essentially rendered obsolete. The problem is that philosophers, be they Plato or Kant, want to legislate reality: to say, not Is this beautiful? but rather, What […]
The gallery titles this show Round Trip, a reference to life’s having taken Haworth from western America to Britain and back. Aside from the two bracelets and “Jewels and Ring,” a freestanding set of fabric jewels, Haworth, if she chose to follow Cindy Sherman’s example, might well call most of the works “film stills.”
Perhaps the most important question that should be asked of any new work of art is this: So What? A work can do all sorts of things, some of them even unprecedented, but unless doing so serves a purpose, the accomplishment may be no more than a stunt. […]
The art world is full of strange processes, from the rituals artists use to give themselves ideas, to the crafts they employ in bringing these inspirations into being, and so on to the necessary habits and innovations employed by audiences in sorting out the results. One of the […]
Contemplating Karin Hodgin-Jones’ two remarkable machines, both titled “Tug,” what may well come to mind are the unquenchably popular inventions of Leonardo da Vinci: the ornithopter and the aerial screw that couldn’t fly, the parachute and the diving suit that would almost certainly have killed their users. […]
Back at the turn of the millennium, Shon Taylor and Ray Chiles were looking to make something out of the technologies then evolving all around them. They could see how the advent of the computer was creating a new approach to graphic arts, but so could a whole […]