“Apologia” is a technical term that, while related to “apology,” actually means “explanation.” The connection is historical, since an explanation functions like an apology, in clarifying why something is different from what’s expected. On her website, Rebecca Klundt offers an elaborate “apologia” for her work, which she puckishly […]
Given so many bad stories and ill-will in our national conversation these days, it’s easy to overlook those artists who still want to share their by-no-means-universal appreciation, and even gratitude, for the positive works they witness and the good lives they enjoy, but do not presume to feel […]
A stroll to FICE Gallery and Boutique offers the observant visitor a live experience of historical Utah, albeit not so much the “Wild West” of fantasy as the gritty, urban jungle of black-and-white Noir films from the 1930s. This downtown neighborhood is a rare survivor of a lost […]
The paintings Linnie Brown is currently showing at ‘A’ Gallery bring to mind transparency as a visual fact, but also as a concept. Her layered images more than anything recall the cinematic lap dissolve, in which as one scene fades out, instead of the screen going dark, then […]
Her name may be a bit superfluous: surely no one would question that Laura Wilson is sharp as well as Sharp—sharper than many of us who write about her. Calling her recent body of work “Chiasma” revealed her to be acquainted with the latest genetic science, which is […]
Downy Doxey-Marshall must be one of the most autobiographical painters on the scene today. She’s well aware of this quality, which is deliberate, and speaks of it not only in her conversation, but in her gallery statements. The most recent of those accompanies Bloom, her exhibition of 13 […]
The relationship of success and freedom is anything but simple. Successful artists, to take one example, often complain that their work sells only so long as they repeat a winning formula, and they may openly pine for their days of obscurity, when they could follow their imaginations freely. […]
The half-dozen large, brilliantly mis-colored images by Diane Tuft currently on view, mostly at the Utah Museum of Contemporary Art (UMOCA) but at least one at Modern West, could almost be Color Field paintings, if they didn’t contain so many photographic hints and clues. There’s another, also at […]
There is one portrait figure by Irene Rampton that stands out at Phillips Gallery. “Mom and Me Out On the Town” differs in the way it observes not the unique look of a sole figure, but includes two women who are as noteworthy for their similarities as for […]
Egyptians, Romans, and Europeans all painted landscapes in order to simulate perfect nature in their homes throughout the year, or even for eternity. During the reign of Britain’s Queen Victoria, the invention of the greenhouse made it possible to introduce the public to galleries filled with exotic, actually […]
Along with form and content, composition and dynamics, color is one of the expressive building blocks of art. But color can also be as elemental and essential as those stand-ins for truth: Black and White. At the Eccles Art Center in Ogden, the 18th Annual Black and White […]
Above the steel stairway that connects the upper and lower galleries at the Utah Museum of Contemporary Art, for the duration of the current exhibition, a large monitor displays, in a continuous loop, recent satellite images of Great Salt Lake by UMOCA preparator Jeff Griffin. Watching the lake’s […]
Tears are made of salt water. Grief is love. Whatever I have come to know as love and grief, I have learned from Great Salt Lake. -Terry Tempest Williams The fate of Great Salt Lake is hardly more than a footnote in the longer story of how immigrant […]
Often, when an artist with a well-established, familiar, even popular mode decides to undertake something new, the news travels fast. So, many who gathered at David Ericson’s gallery in the Avenues for the unveiling of Emily McPhie’s new work were there in anticipation of something they’d not seen […]
In the hierarchy of values, materials such as ink, marble, uranium, and gold are worth less than the alchemical power of art. And art, in turn, is less valuable than life. This may help explain why the collages of Liberty Blake, though made of paper—and often of discarded […]
Given the level of skilled technique we so often encounter today, it’s not all that unusual to learn that what appeared to be a photograph is actually a painting. The only reason this took until now is that for centuries the masters didn’t have photos to mimic, and […]
The practice of carrying one’s own water in a purpose-made bottle—a modern canteen—has become commonplace, but it doesn’t rule out the possibility that the person carrying water also has a carafe set aside for the purpose at home. And they may even have a traditional silver spoon they […]
Sam Wilson was the first Utah artist whose work caught my attention, and he remains foremost for me among the many fine painters, sculptors, printers, assemblers, media mixers, and raconteurs I’ve been privileged to meet in the years since. Sam never put as much effort into spreading his […]
