Geoff Wichert has degrees in critical writing and creative nonfiction. He writes about art to settle the arguments going on in his head.
“The Set” (detail) by Wren Ross. Sometime around 1970, feminist historians began to make all sorts of discoveries about the primacy of artistic and scientific discoveries during what has been called the Enlightenment. Among these was the realization that, just as artists often perform the difficult early stages […]
Installation view of Cordell Taylor’s Process exhibition at The Gallery at the Main. The gallery on the fourth floor of the City Library includes not only a large interior space but also its exterior walls and the mezzanine-like floor space outside. Normally, it rewards two artists sharing the […]
Once, after we had moved to a new city, I found it helpful to drive my daughter to and from school. In time, her inborn need to be independent led her to public transportation, which she still relies on four decades later, but our pleasure in each other’s […]
“Water Crossing,” 2016, triptych, charcoal on vellum mounted on board, 96″ x 165″ It’s not hard to see why, when BYU Museum of Art’s Curator of American Art Kenneth Hartvigsen and his staff set out to take the measure of artistic responses to the international refugee crisis, they […]
Dana Gluckstein, “Tribal Man in Transition.” Kenya, 1985. Sometimes numbers provide the best grasp of world history, of its sporadic progress and its frequent failures to move ahead. For example, World War II caused an estimated 60 million deaths, which is thought to be the greatest loss of […]
When Madison Donnelly showed her sculpture, “User Centered Design,” at the 2017 Statewide Annual Exhibition, it was outstanding in a field of more conventional works. As a photo that ran in 15 Bytes at the time reveals, even the staff at Rio Gallery seemed to think so: in […]
It sometimes seems as though Lenka Konopasek can do anything. Using only plain paper as her medium, she meticulously models a 21st-century American suburb, spread across a tabletop like an architect’s dream. Stripped of distraction and camouflage and reduced to a bleached-white, monochromatic array, the poverty and redundancy […]
People tend to see something one way until someone shows them another. —Frank McEntire Anyone who knows the art of Frank McEntire, whether sculpture, mixed media, or assemblage, will have witnessed his technique of bringing together found objects, often in the presence of natural materials like stone […]
Sarah Bown Roberts recently graduated from BYU, but she’s starting out strong with Head Lands. Like Noah’s Ark, her 10 mixed-media collages, three oil paintings, and six digital photos each carry paired aesthetic animals. Thematically, the first pair divides them into “archeological excavations” and “restorations.” In this, they recall […]
Artists of Utah recently announced the beginning of Round 2 of Utah’s 15, their project to celebrate Utah’s most influential artists (click here to learn about Round 2 of Utah’s 15.).In 2013, Sandy Brunvand was selected by 200 of her peers as one of “Utah’s 15 most influential […]
Something remarkable, though it shouldn’t have been, took place in the American Southwest in the years following the Second World War. Consider these three names: Georgia O’Keeffe, Agnes Martin, Beatrice Mandelman. Each of these artists resisted and ultimately rejected the New York mainstream. Each created original and highly […]
In 2013, Sam Wilson was selected by 200 of his peers as one of “Utah’s 15 most influential artists.” The following profile appeared in Utah’s 15: The State’s Most Influential Artists, published by Artists of Utah in 2014. Photo by Zoe and Robert Rodriguez. Sam Wilson says, “It’s all […]
