Stopping in at Jimmie’s
Geoff Wichert takes a look at the incarnation of Jimmie’s at the Westgate Lofts.
Geoff Wichert
Geoff Wichert has degrees in critical writing and creative nonfiction. He writes about art to settle the arguments going on in his head.
Frank McEntire’s reliQUERIES
Geoff Wichert previews Frank McEntire’s reliQUIERIES exhibit, up this month at Nox Contemporary.
Jim Williams: the beginning of now
For years Jim Williams has been turning every inch of his house into a work of art. For one week a portion of it comes into public view.
What We’re Working On
by Geoff Wichert The most exciting art event of the past month, the one that drew the largest, broadest, and most enthusiastic crowd of Utah art lovers—young and old, amateurs and pros, from those who can’t stop making art to those who just love to look—wasn’t the opening […]
Rio Gallery’s Homage
In an exhibit at Salt Lake’s Rio Gallery thirty Utah artists say thank you.
Eric Samuelsen’s Borderlands
A review of Eric Samuelsen’s Borderlands, the sold-out play now at Plan B Theatre.
Imitation: What We’re Working On
If you follow our daily posts you might have noticed the Deseret News article cited in yesterday’s Mixed Media that considers two Salt Lake exhibitions under a common theme: inspiration. Because we save the good stuff for our monthly edition, the dailies and weeklies occasionally scoop us, at […]
Jennifer Adams’ Y is for Yorick
A review of Jennifer Adams’ new book Y is for Yorick.
Epic Battle Over the Spiral Jetty
Geoff Wichert responds to the Tribune article on the Spiral Jetty and Epic Brewing mentioned in this week’s Mixed Media feature.
Minerva Cuevas at the UMFA Wednesday
Mexico City artist Minerva Cuevas speaks at the UMFA on Wednesday.
Indigenous Utah Architecture
Research for this month’s article on recent developments in Still Life painting took Geoff Wichert to St. George, where 21st century development around the Tabernacle impressed him as much as the painting he came to see.
Where are you going, Still Life: Charles Becker at the St. George Art Museum and Phillips Gallery’s Brad Overton
Geoff Wichert examines the genre in the hands of Charles Becker, Vincent van Gogh and Brad Overton.
