Ehren Clark studied art history at both the University of Utah and the University of Reading in the UK. He is now a professional writer living in Salt Lake City.
Inspiration comes from many places, and what inspires an artist to create may not be the same thing that inspires a viewer to appreciate, but the power of good art is that ability to act as a mediator, as a go-between, from the source of initial artistic inspiration […]
[slideShowProSC width=”600″ height=”450″ album=”400″] Narrative painting, in the form of history painting, was once the pinnacle of Western art, the zenith of Alberti’s 15th-century treatise on painting, and a prerequisite for anyone seeking access to prestigious academies in the 18th and 19th centuries. At the advent of modernism, […]
What is a “medicine man?” He is not a shaman, often associated with personal gain; he is not a witch doctor, associated with witchcraft. He is a traditional healer and spiritual leader among Native Americans who secures the help of the spirit world, including the Great Spirit, for […]
[slideShowProSC width=”600″ height=”775″ album=”344″] The works of the late Harry Taylor, now on exhibit at Phillips Gallery, teem with energetic life and vitality. With his unique sense of brevity, playful sense of humor and dynamic skills as a woodcarver (he managed to keep working even after he was […]
This past weekend was a celebration of abstract art in Salt Lake City, with the top tier of the state’s abstractionists exhibiting at Salt Lake’s Rio Gallery. This dazzling exhibit of the brightest and best includes Dave Malone, who is also featured in a solo exhibit this month […]
This is a canvas whose magic is realized almost immediately, and again, we cannot disqualify Shepherd and his vision of nature, and must allow him to share his vision of autumn as he sees it with his viewer — the deep raspberry magentas, the sinewy fuchsia that tangles […]
In a January 2014 article Catherine Craft reassessed a 1970 Whitney Museum exhibition by African American artist Melvin Edwards asserting, “A reconsideration of Edward’s exhibition reveals its seminal place in art of the period as both an incisive response to the most radical forms of sculpture and installation […]
Susan Kirby became an artist not by any decision but by a realization, an epiphany. She was 19, in Paris for a two-year study program, practicing a self-taught style she felt insecure about. A detached artist leads to complacency and the artist needs validation and Kirby realized hers […]
Oonju Chun says she is not a conceptual painter, “but a spontaneous, reactionary painter. When I paint, it is a purely spontaneous visual response to lines, colors and composition. I am not thinking on a conceptual level and I love that. It is liberating and exhilarating.” Quite simply […]
How we present ourselves, in public and in private, has a huge bearing on how we define ourselves as human beings. In our modern society presentation involves the clothes we wear, the make-up we use and the way we style our hair; but it also extends to external […]
Place is not a thing, it is not even a space, it is an experience. An experience that, through the artist’s hand, can be shared. This is the concept that drives “Spirit of Place,” featuring works by Darryl Erdmann, Mark Knudsen and Paul Vincent Bernard, currently up at […]
What is the nature of a narrative? It has a beginning, it has a development that involves content, often conflict, ideally growth and progression, and it has an end. The best narratives are the ones that have an end that does not end, that through our experience of […]
